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Venus & Mars

by Polymelia

/
1.
Venus 18:51
2.
Mars 18:49

about

In Babylonia, numerology was invented and Venus, as the goddess of fertility, was first depicted as a 6-cornered star. But, numerologically she was designated 15. As a 6-cornered star, its make-up shows two opposite triangles interpenetrated. This was changed to two squares fused into one where geometrically the shape became a square. It created 9 cells which were so numbered that the numbers counted in any row gave the sum 15. Venus thus became a Magic Square of 15. Geometrically it was a Magic Square, but numerologically it was 15. In the make-up the squares were two and opposites. As goddess of fertility she especially helped the pregnant to an easy delivery. Some 8 variants of the Magic Square, with different arrangements of numbers, represented 4 cosmic elements and 4 cosmic qualities. The Magic Squares, which represented elements, had the numbers 1, 3, 5 and 8 near one another forming a miniature square by themselves. A Magic Square representing a quality did not have the numbers 1, 3, 5 and 8, as a consolidated unit. This explains the importance of the numbers 1, 3, 5 and 8, a mystery which had remained unsolved. Venus was also the star of copper. When copper technology migrated from Babylon to China, the occult science associated with Venus also reached China. Here the 8 Magic Squares were translated into a system of whole and broken lines, called Pa-Kua, meaning 8 designs

credits

released September 25, 2023

Stanley Christiaensen:

surbahar
hammered dulcimer
tubular bells
sampling
drums & percussion
bass
moog synthesizer
field recordings
vocals
chainsaw

recorded at Power Plant Monceau, Charleroi, Belgium - may 2023
and Phase studios September to December 2022

license

all rights reserved

tags

about

Polymelia Antwerp, Belgium

Wailing and shouting joyfully over analog synthesizers in outerspace.

𓁹 ࿗

Antwerp, Belgium


petrolcandy.bandcamp.com/album/huh

DUNGEON SYNTH ALTER EGO:

crom4.bandcamp.com/album/into-the-witchs-lair
... more

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